An entire creative process is traced through an examination of the work of Thutmose and his assistants, who lived in a highly structured environment. The workshop of the sculptor Thutmose-one of the few artists of the period whose name is known to us-revealed a treasure trove when it was excavated in 1912. The female principle is emphasized in astonishing images: the aging Queen Mother Tiye, the mysterious Kiya, and Nefertiti, whose painted limestone bust in Berlin is the best-known work from ancient Egypt-perhaps from all antiquity. Akhenaten, his wife Nefertiti, and their six daughters are seen in emotional interdependence even as they participate in cult rituals. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.Ī picture of exceptional intimacy emerges from the sculptures and reliefs of the Amarna Period. The move to a new capital, Akhetaten/Amarna, brought essential changes in the depictions of royal women. 1353–1336 B.C.) the pharaoh Amenhotep IV/Akhenaten, founder of the world's first known monotheistic religion, devoted his life and the resources of his kingdom to the worship of the Aten (a deity symbolized by the sun disk) and thus profoundly affected history and the history of art.
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